(Queen Victoria Film: the texture of the film reproduces as
accurately as possible an animated Victorian photograph. Queen
Victoria and Gladstone are walking on the lawn in front of Osborne.)
Compare: These historic pictures of Queen Victoria, taken
in 1880 at Osborne show the Queen with Gladstone. This unique film
provides a rare glimpse into the private world of a woman who ruled
half the earth. The commentary, recorded on the earliest wax
cylinders, is spoken by Alfred Lord Tennyson, the Poet Laureate.
Tennyson: Well hello, it's the wacky Queen again! (the
Queen repeatedly nudges Gladstone in the ribs and chucks him under
the chin) And who's the other fella? It's Willie Gladstone! And
when these two way-out wacky characters get together there's fun
a-plenty. (they come up to a gardener with a hosepipe) And,
uh-oh! There's a hosepipe! This means trouble for somebody! (the
Queen takes the hose and kicks the gardener; he falls over)
Uh-oh, Charlie Gardener's fallen for that old trick. The Queen has
put him in a heap of trouble! (the Queen turns the hose on
Gladstone) Uh-oh that's one in the eye for Willie! (the Queen
hands Gladstone the hose) Here, you have a go! (she goes back
to the tap and turns off the water) Well, doggone it, where's
the water? (Gladstone examines the end of the hose; the water
flow returns, spraying him) Uh-oh, there it is, all over his
face! (she lifts her skirts and runs as he chases her across the
lawn; next we see the Queen painting a fence,' Gladstone approaches
from the other side) Well, hello, what's Britain's wacky Queen
up to now? Weft, she's certainly not sitting on the fence. She's
painting it. Surely nothing can go wrong here? Uh! oh, here's the PM
coming back for more. (Gladstone walks into line with the end of
the fence; the Queen daubs paint on him) And he certainly gets
it (he takes the bucket from her and empties it over her head;
she kicks him; he falls through the fence) Well, that's one way
to get the housework done!
(Cut to the Queen and Gladstone having tea on the lawn. She
pushes a custard pie into his face. As he retaliates the picture
freezes; the camera pulls back to reveal that it is a photo on the
mantelpiece of a working-class sitting room.)