(Artistic-type set. There is a large screen on back. Stock
two-chair set-up as for interview.)
First Presenter: John Cobbley is the Musical and Artistic
Director of Covent Garden. He is himself a talented musician, he is
a world famous authority on nineteenth-century Russian music and
he's come into the studio tonight to talk about Tchaikovsky, which
is a bit of a pity as this is 'Farming Club'. On 'Farming Club'
tonight we'll be taking a look at the Ministry's (pigs appear on
the screen, Cobbley gets up, looks about him, wanders off, rather
puzzled) latest preventative proposals to deal with a possible
outbreak of foot and mouth, we'll be talking later to the man who
believes that milk yields can be increased dramatically, but first a
Farming Club special, the life of Tchaikovsky.
(Cue Tchaikovsky's first piano concerto. Stock film of a
farmyard with superimposed roller caption.)
ROLLER CAPTION: 'FARMING CLUB, IN ASSOCIATION WITH THE POTATO
MARKETING BOARD, ALSO IN ASSOCIATION WITH THE BEETROOT, HAM, EGG AND
TOMATO MARKETING BOARD, AND ALSO IN ASSOCIATION WITH THE LITTLE
GREEN BITS OF CUCUMBER DICED WITH SHALLOTS, GARNISHED WITH CHIVES
AND SERVED WITH A ROQUEFORT DRESSING MAKES AN EXCELLENT APPETIZER OR
SIDE DISH WITH A STEAK OR A STEW MARKETING BOARD, PRESENTS: THE LIFE
OF PETER ILYICH TCHAIKOVSKY, IN ASSOCIATION WITH THE PETER ILYICH
TCHAIKOVSKY MARKETING BOARD'
(Cut back to the presenter.)
First Presenter: Tchaikovsky. Was he the tortured soul who
poured out his immortal longings into dignified passages of stately
music, or was he just an old poof who wrote tunes? (pull back to
show a second presenter in the other chair) Tonight on 'Farming
Club' we're going to take an intimate look at Tchaikovsky (a
picture of Tchaikovsky on the screen) and an intimate look at
his friends. (a picture of a naked sailor on a tiger-skin rug)
Incidentally, BBC Publications have prepared a special pamphlet to
go with this program called 'Hello Pianist', It comes up on the
screen; on its cover theft is a picture of a pig) and it contains
material that some people might find offensive but which is really
Second Presenter: Peter Ilyich Tchaikovsky was born in
1840 in a Ken Russell film just outside St Petersburg. His father
(Leo McKern), a free-lance bishop, was married to Vern Plachenka
(Julie Christie) but secretly deeply in love with Margo Farenka
(Shirley Abicair) and the strangely flatulent Madame Ranevsky
(Norris McWhirter). Soon, however, the family (Eldridge Cleaver,
Moira Lister and Stan the Bat) moved to the neighboring industrial
village of Omsk (Eddie Waring) where they soon found themselves,
sadly, quite unable to cope (Anthony Barber). In i863, however,
Tchaikovsky was sent to Moscow to study the piano and, when he'd
finished that, the living room. Maurice takes up the story.
(Cut to a poofy presenter in really chintzy surroundings.)
Maurice: Well, guess what, the very next thing he did was
to go to this extraordinary but extraordinary duckety-poos
semi-Mondrian house in Robin Russia. Here Tommy Tchaikovsky wrote
some of the most Sammy super symphonies you've ever Henry heard in
the whole of your Lily life.
SUPERIMPOSED CAPTION: 'A FAMOUS MUSIC CRITIC AND HAIRDRESSER'
Maurice: She was such a good composer that everybody, but
everybody, wanted to know, and quite right too, because she wrote
some lovely bits, such as Sally Sleeping Beauty, Poesy Pathetique,
Adrian 1812 and lots of Conny concerti for Vera violin and Peter
Piano Fanny Forte.
(Cut back to second presenter.)
Second Presenter: But what do we really know of this
(Cut to space-program-type set. Experts at a desk. An
Apollo-type monograph behind them says 'Tchaikovsky XII'. The centre
motif is a picture of Tchaikovsky.)
First Expert: Well, if you can imagine the size of
Nelson's Column, which is roughly three times the size of a London
bus, then Tchaikovsky was much smaller. His head was about the same
size as that of an extremely large dog, that is to say, two very
small dogs, or four very large hamsters, or one medium-size rabbit
if you count the whole of the body and not just the head. Robin.
(He has a model of Tchaikovsky which comes apart.)
Second Expert: Thank you. Well here is a three-stage model
of Tchaikovsky... here you see the legs, used for walking around,
and which can be jettisoned at night ... (he takes the legs off)
And this is the main trunk,. the power house of the whole thing,
incorporating of course the naughty bits, which were extremely
naughty for his time, and the whole thing is subservient to
(takes it off) this small command module, the, as it were, head
of the whole, as it were, body. Robin.
(Cut to first expert.)
First Expert: Peter.
(Cut to first presenter.)
First Presenter: Simon.
(Cut to second presenter.)
Second Presenter: Maurice.
(Cut to Maurice.)
Maurice: Me. Well, poor pet, she was like a lost lamb in
an abattoir. Eventually she Dickie died of Colin Cholera in St Patsy
Petersburg, in Gettie great Percy pain.
(Cut to a piano in a pool of light.)
Voice Over: Here to play Tchaikovsky's first piano
concerto in B Flat Minor is the world-famous soloist Sviatoslav
Richter. 'During the performance he will escape from a sack, three
padlocks and a pair of handcuffs.
(A chained figure in a sack rolls into shot and starts rolling
about and playing the piano concerto. After a minute 'Rita' enters
and gestures to him. She is in fish-net tights, etc, - the full
conjurer's assistant. He wriggles free from the sack, playing the
while. The music stops.)
CAPTION: 'SVIATOSLAV RICHTER AND RITA'
(Film of an applauding audience in the Royal Albert Hall,)
SUPERIMPOSED CAPTION: 'AND NOW'